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How to design a logo: 15 pro tips

How to design a logo isn’t something you learn overnight. It requires a theoretical foundation, creative skill, patience and a trained eye that comes from a lot of practice. Designers gain experience working with a range of different clients and go through numerous iterations to develop the skills needed to forge and refine a strong brand identity.

The right logo is recognizable and memorable. Paired with the right product, it can become an invaluable asset – think the Nike Swoosh, McDonald’s golden arches and the Michelin man. But logo designs like this don’t happen by accident. But anyone can take a leap forward by learning from the golden rules of logo design, which should be respected before they are broken.

Reading: How to create a good logo

Most successful logo designs have common traits that can help us to learn how to design a logo for ourselves or for a brand we work for. In the guide below, we’ve broken things down into 15 golden rules for designing a logo, from conception to execution.

Starting with the former, let’s first look at how to design a logo from scratch with David Airey’s 10 rules for the perfect logo. We then turn to successfully implementing a design as part of a broader brand strategy with tips from brand content strategist Nick Carson.

If you need the right tools to create your logo design, check out our picks for the best graphic design software. And if you need more pointers, don’t miss our roundup of logo design inspiration, our pick of the best 3 letter logos of all time, and our recommended 11 steps to creating better logos. If you’re looking to expand your design skills to cover the burgeoning areas of UX and UI design, enroll in our UX Design Foundations online course (opens in a new tab).

Why Learn How to Design a Logo?

First, let’s remember why logo design is so important. A logo is usually the first trademark a potential customer sees. It’s also usually the piece that impresses us the most and sticks with us the longest (if it’s successful). A logo can tell us a lot about a brand, including (sometimes) what a brand does and what it stands for. When consumers rely on a logo design, they are often more inclined to invest their time or money into the company or product.

Logo design is by no means the only element of successful branding, but it’s a must Be right from the start as it is often at the heart of the overall branding strategy. And while most designers can create a reasonably decent logo, it takes a special mix of design skills, creative theory, and skillful application to create a logo design that’s truly unique, appealing, and memorable. Check out our pick of the best logos for examples.

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How to Design a Logo: The Golden Rules

There are hundreds, even thousands, of brands vying for our attention , and This means brands need to differentiate themselves visually. This differentiation is achieved through brand identity design – a set of elements that work together to create a distinctive image of the brand in our minds. Brand identity design can include everything from uniforms, vehicle graphics, business cards, product packaging, billboard ads and coffee mugs and other collateral to photographic style and font choices.

When you think about a person, your affected life in some way, you can probably imagine what she looks like. The same applies to brands. And a logo acts as the face of a brand, allowing people to connect with it and remember it. The goal of logo design should therefore be to create something that people can easily imagine when thinking about their experience with a product, company or service.

If we do something consider, we do not read first. Above all, we see shapes, we see colors, and if that’s enough to grab our attention, then we read

David Airey

When we look at something, we see shape and color before we read. Only when that’s enough to get our attention do we start reading. The job of designers is to distill the essence of a brand into the shape and color that are most likely to endure. Below, designer David Airey (opens in new tab) offers his 10 golden rules of logo design to help you.

01. Do the basics

Logos like those of Mercedes and Woolmark have become invaluable assets for their companies

This is one of the most interesting aspects of being a designer with anyone project you learn something new. Every client is different, and even in the same profession, people do their job in different ways. Logo design should start with some preliminary work. Getting to know the customer and their product well will help you choose the strongest design direction and make it easier to reach consensus on your logo design later.

Make sure you ask your customer why they exist. What are they doing and how are they doing it? What makes you different from other brands? Who are they for and what is most important to them? Some of these questions may seem so simple as to be unnecessary, but they can be difficult to answer and lead to more questions about your customers’ businesses. What you discover in this initial phase of a project can really help ensure you don’t miss out on the market as you start developing your logo design.

02. Start with a sketchpad

Sketches of Firefox mascots by Martijn Rijven commissioned by Wolff Olins

With the many digital tools available today you might think about Going straight to your computer to create a logo design, but using a sketchpad gives you a chance to rest your eyes from the glare of brightly glowing pixels and, more importantly, to record design ideas much more quickly and freely . With no digital interface in the way, you have complete freedom to explore, and if you wake up at night with an idea you don’t want to lose, a pen and paper by your bed is still the best way to jot it down.

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Sketching makes it easier to place shapes exactly where you want them – there’s always time to digitize your markups later (see our sketching tips for more advice). It can also be useful to share some sketches when describing design ideas to clients before digitizing a mark. This can make it easier for them to visualize the result without the distraction of fonts and colors, which can sometimes cause clients to scrap an entire idea. However, don’t share too much; only your best ideas.

03. Start in black and white

The inner details of the Apple logo have changed over the years, but the silhouette remains

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As we mentioned above color is an important part of branding, but it can sometimes be a distraction and make it difficult for a client to take in the basic concept of the logo. De-coloring later in the process allows you to focus on the idea of ​​your logo design itself, rather than an element that is usually much easier to change.

It’s impossible to replace a bad idea with a interesting palette to save, but a good idea is still good regardless of the color. In most cases, when you think of a familiar symbol, you think of the shape first, and then the palette. It’s the lines, shapes, and the idea itself that matter most, whether it’s an apple bite, three parallel stripes, four connected circles in a horizontal line, or anything else.

04. Make sure your design is relevant

Pentagram founder Alan Fletcher designed the V&A logo in 1989 (Image credit: V&A)

A logo design must be relevant to the ideas, values ​​and activities it represents. An elegant font suits an upscale restaurant better than a child’s room. Likewise, a fluorescent pink and yellow palette is unlikely to help your message appeal to male retirees. And making a mark that bears any resemblance to a swastika, regardless of the industry, just isn’t going to work.

You know these things, and they may seem pretty obvious, but appropriateness goes deeper than that. The more appropriate your justification for a particular design, the easier it will be to sell the idea to a client (and this can be the hardest part of a project. Remember, designers don’t just design. They sell, too).

05. Create a design that’s easy to remember

The Deutsche Bank logo from 1974 by Anton Stankowski (Image credit: Deutsche Bank)

A good logo design is memorable, allowing a brand to stick in a potential customer’s mind even as other brands compete for their attention. How can this be achieved? Simplicity should be your watchword here. A really simple logo can often be recognized at a glance, which is not possible with a design that is too detailed.

A brand needs to focus on a concept; on a single “story”. In most cases, this means that it should have an uncomplicated shape so that it can be of various sizes and work in a range of applications, from a website icon in a browser bar to signage on a building.

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06. Strive to be different

Wolff Olins’ 1999 Tate logo unified the four Tate galleries across the UK

When the competitors one Brand all use the same typography style, the same type of palette or an icon to the left of the brand name, this is the perfect opportunity to differentiate your customer rather than conflate them. Doing something different can really help your logo design stand out.

However, having so much similarity on the market doesn’t necessarily mean your job has gotten any easier. It often takes a brave customer to buck a trend they see all around them.However, showing ingenuity in your design portfolio is a great way to attract the type of client you want, and demonstrating the appropriateness of your concept can help allay any concerns.

07 . Consider the broader brand identity

Wolff Olins created a custom typeface for the Macmillan Cancer Aid in 2006 to be used in both the logo and the marketing headlines.

We don’ Usually you see a logo in absolute isolation. It is usually presented in the context of a website, a poster, a business card, an app icon, or all sorts of other tools and applications. A client presentation should include relevant touch points to show how the logo will look on potential clients. It’s a bit like being stuck in a rut – it can help to take a step back, look at the bigger picture, see where you stand and what surrounds you.

In terms of design, the big picture is any potential item that your logo design could appear on. Always consider how identity works when the logo is not there. While hugely important, a symbol can only assume one identity so far. One way to create a cohesive look is to create a custom font for your logo. This font can then also be used in marketing headlines.

08. Don’t be too literal

The logos for Penguin and Shell give no indication of what kind of company they represent

You don’t have to show a logo, what a company does; In fact, it’s often better if this isn’t the case. More abstract signs are often more permanent. You used to show your factory, or maybe a coat of arms if it was a family business, but symbols don’t show what you’re doing. Instead, they make it clear who you are. The importance of the brand in the eyes of the public comes later, when associations can be made between what the company does and the shape and color of its brand.

09. Remember that symbols aren’t strictly required

Johnson Banks’ 2004 wordmark for housing with the pitched “h” roof helped reposition the housing organization (although it recently redesigned)

A logo doesn’t always have to be an icon. Often a bespoke wordmark can work well, especially when the company name is unique – think Google, Mobil or Pirelli. Don’t be tempted to overdo the design flair just because the focus is on the letters. Legibility is key with any wordmark, and your presentations should show how your designs work at all sizes, large and small.

Of course, sometimes words just don’t work in very small applications, so variations may be needed . This can be as simple as removing a letter from the logo mark and using the same color, or it can include an icon to be used as a secondary design element (wordmark first, icon second) rather than a logo lockup, where both parts are displayed next to each other.

10. Making People Smile

Designed in 2000 by Dreher Duckworth for Amazon, the wordmark adds wit with a hidden smile that goes from A-Z Your logo design not only makes your job funnier; It can also help your client become more successful. It’s not for every brand or every industry (it certainly doesn’t make sense for gun makers and tobacco companies, but whether you choose to work with such companies is another matter). However, the slightly less contentious legal and financial sectors are teeming with companies characterized by stuffy and sterile branding. Adding a little humor to the identity of such clients can help set them apart.

A balance must be reached. Go too far and risk scaring off potential customers. Regardless of the company, however, people do business with people, so a human, emotional side of your work will always be relevant.

How to implement your logo design

So you have a finished logo design, now how do you apply it? A logo design does not exist in isolation. Once you’ve perfected your design, the final phase is to bring it to life as part of a broader branding scheme. In this section, Nick Carson (opens in new tab) shares five logo design tips to help you get through this crucial final stage.

11. Always get a second opinion

Logo for the Brazilian Institute of Oriental Studies. Presented without comment

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Don’t underestimate the value of a second (or third) pair of eyes to spot things you may have overlooked during the design phase. It’s amazing how easy it is to miss potential cultural misunderstandings, unfortunate shapes, or unintended innuendos, words, and meanings (see Logo Design Fail Examples).

Once you have your logo design concept laid out have, always take the time to check it out with other people. Many design studios advocate pinning work in progress to the walls to allow for constant peer review.It’s often easier to notice something on paper than it is on a screen. If you’re an individual freelancer, try to find some trusted colleagues who will keep an eye on your work – and, of course, reciprocate. And remember to check how it looks from every angle and on different shaped straps.

12. Develop the rest of the branding scheme

A logo design is just a small component of a branding scheme and should be developed along with other activation points as part of a larger “brand universe”. This term is an integral part of the branding process of the London agency SomeOne. (opens in new tab) As co-founder Simon Manchipp points out in the above video interview with Computer Arts magazine, achieving coherence between different elements is much better than just consistency. “Consistency is solitary confinement – ​​the same thing every day,” he laments. “Cohesive is different: a more flexible, smarter way of doing things.”

13. Bring your logo design to life

In the modern branding market, a static logo sitting quietly in the corner of a finished design is often no longer enough. You need to think about how your logo design could be brought to life in motion for digital applications. This may require working with an animation or motion graphics specialist to realize its potential.

Here are a few examples of logos brought to life through animation: First, Function Engineering by Sagmeister & Walsh, which is a playful , Meccano-style twist to target. Sagmeister & Walsh is no more, but you can see our story at Jessica Walsh’s Studio &Walsh.

Second, this logo design for Helsinki University of the Arts by Bond (opens in new tab), bends, twists and distorted to enhance the dynamic, modern feel of the typed logo.

Helsinki University of the Arts animated logo rotates and jumps

Evolving as VR trends continues to evolve, more immersive brand experiences are becoming more accessible. Branding agencies have also explored the potential of generative design and user involvement to introduce a much more dynamic, unpredictable component to logo design. It’s not always possible, but it’s good to keep an open mind and experiment with new techniques whenever you can.

14. Help your client launch your logo design

Handing over the finished logo design and letting the brand use it at their discretion can be a recipe for disaster. You should aim to provide the client with a style guide that provides clear, thorough guidelines on how they should (and shouldn’t) use your logo design. This should cover everything from color options, to the minimum and maximum sizes that logo designs should be used in, positioning rules, spacing (including exclusion zones from other design elements), and any definite no-nos like stretching or distorting.

Check out our favorite style guides to see how it’s done. Some agencies swear by style guides to ensure a smooth and consistent handover to a client’s internal team, but there are others who find they can be overly restrictive and prescriptive. Either way, your client will need guidance on how to apply the logo design to ensure it works as intended.

15. Accept public criticism of your logo design

DesignStudio’s high profile Premier League rebrand has drawn more than its fair share of criticism from traditionalist football fans.

In the age of social media, every man and dog has an opinion on every logo design out there. Criticism is no longer an occasional annoyance or something that could only come from professionals. Anyone working on a relatively high-profile rebranding exercise should be prepared.

As we mentioned above, there’s a lot more to a great branding scheme than just a logo design, but on Platforms such as Twitter, when a newly released project is often summed up with a single image, often the first (and only) thing the public jumps to is the logo. This is something you have to accept as inevitable.

London-based DesignStudio (opens in a new tab) has experienced such a setback on a number of occasions, including in its work for Airbnb and the Premier League . In the video above, his former Executive Creative Director James Hurst, now Global Creative Director at Pinterest, explains how the studio has dealt with criticism on social media.

Johnson Banks’ open-source Mozilla Rebranding has reduced some creative ways in the public, incorporating feedback

Another example of how to deal with and even capitalize on the increased public interest in logo design is the case of Mozilla. Johnson Banks (opens in new tab) leveraged public feedback in the design process itself through a highly ambitious, fully open-source rebrand of Mozilla’s brand identity.The project involved the public at key stages and allowed public opinion to guide the creative paths chosen. Firefox also took a similar path in 2018, asking the public to help choose its new logo.

Of course, a designer must also keep in mind that the initial public reaction is not always a measure of a logo’s long-term success. Be thick-skinned: Take valuable feedback on board and let the rest wash over you.

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